Since the mid-80s, Tania Bruguera has developed a militant body of work aimed at rethinking and redefining the role of art within society. Her varied output – performance pieces, videos, objects, drawings, and installations – uses the body as an essential vehicle for “social and political space”. In her first works, she stages herself in sometimes violent situations, like El peso de la culpa (“the weight of guilt”, 1997), in which she is seen naked, wearing a dead animal...
data.CardNotFreeExtract
